{"id":507,"date":"2017-02-20T18:04:33","date_gmt":"2017-02-20T17:04:33","guid":{"rendered":"http:\/\/www.alessandrocadario.com\/?page_id=507\/"},"modified":"2026-10-06T19:41:48","modified_gmt":"2026-10-06T17:41:48","slug":"home","status":"publish","type":"page","link":"https:\/\/www.alessandrocadario.com\/en\/","title":{"rendered":"Home"},"content":{"rendered":"

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“An excellent guidance to orchestras thanks to the combination between his personal enthusiasm, his trustworthy precision and his clear musical commitment.”<\/p>\n<\/div><\/div><\/blockquote>

Gustavo Dudamel<\/strong><\/span><\/div><\/div>
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“Stabat Mater with Cadario is a great Rossini.”<\/p>\n<\/div><\/div><\/blockquote>

La Gazzetta del Mezzogiorno<\/strong><\/span><\/div><\/div>
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“It’s great to be together on the stage. So prepared and so musical!”<\/p>\n<\/div><\/div><\/blockquote>

Katia & Marielle Lab\u00e8que <\/strong><\/span><\/div><\/div>
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“Alessandro Cadario’s conducting is perfect.”<\/p>\n<\/div><\/div><\/blockquote>

L' Avvenire<\/strong><\/span><\/div><\/div>
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“It was a great pleasure to make music together and I love his energy.”<\/p>\n<\/div><\/div><\/blockquote>

Gautier Capu\u00e7on<\/strong><\/span><\/div><\/div>
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“One of the most successful young Italian conductors. Very clear gesture combined with musical intentions that become interpretation.”<\/p>\n<\/div><\/div><\/blockquote>

Le Salon Musical<\/strong><\/span><\/div><\/div>
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“One of the most interesting conductor of the new generation.”<\/p>\n<\/div><\/div><\/blockquote>

Il Giornale<\/strong><\/span><\/div><\/div>
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“For a young conductor, an open-air Don Giovanni is a severe test, which Cadario passes in the best possible way.”<\/p>\n<\/div><\/div><\/blockquote>

Il Giornale della Musica<\/strong><\/span><\/div><\/div>
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“He conducts the opera with exemplary clarity, wide and always soft articulations, a beautiful sense of theatrical rhythm: taking care to support the singers.”<\/p>\n<\/div><\/div><\/blockquote>

Conessi all'opera<\/strong><\/span><\/div><\/div>
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“On the podium Alessandro Cadario conducted with authority, doing nothing just to appear and always seeking the compactness of the sound and the fluidity of the phrasing.”<\/p>\n<\/div><\/div><\/blockquote>

Rivista Musica<\/strong><\/span><\/div><\/div>
“He has a perfect conducting in the choice of tempos, sober and respectful of the Donizetti tradition”<\/div><\/div><\/blockquote>
Opera Libera<\/strong><\/span><\/div><\/div>
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“Alessandro Cadario conducts the Orchestra of the Teatro Regio di Torino with emotional participation and precision: he excellently conducts the many singers putting every piece in its place.”<\/p>\n<\/div><\/div><\/blockquote>

Il giornale della musica<\/strong><\/span><\/div><\/div>
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\u201cThe musical heart of this production beats strongly thanks to Alessandro Cadario, who conducts the Orchestra of the Teatro dell\u2019Opera di Roma with great clarity.\u201d<\/p>\n<\/div><\/div><\/blockquote>

Nuovo corriere nazionale<\/strong><\/span><\/div><\/div>
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“The excellent Alessandro Cadario governed everything with a firm hand and scrupulous mastery”<\/p>\n<\/div><\/div><\/blockquote>

Il corriere musicale<\/strong><\/span><\/div><\/div>
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“Alessandro Cadario supports them in an excellent way from the podium: from time to time caressing and snappy in Pergolesi, vibrant and incisive in Bernstein.”<\/p>\n<\/div><\/div><\/blockquote>

Connessi all'opera<\/strong><\/span><\/div><\/div><\/div><\/div>
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Biography<\/h1><\/div>
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Italian conductor Alessandro Cadario is renowned for his refined, charismatic, and eclectic musical style. His profound knowledge of performance practice and commitment to artistic excellence have established him as a highly sought-after conductor on the classical music scene. Throughout his career, he has conducted leading orchestras including the Mariinsky Orchestra, Monte-Carlo Philharmonic Orchestra, Russian National Orchestra, Orchestra della Svizzera italiana, Zagreb Philharmonic Orchestra, Tatarstan National Symphony Orchestra, Krak\u00f3w Philharmonic Orchestra, Orchestra of the Op\u00e9ra Royal de Wallonie-Li\u00e8ge, and the orchestras of the Teatro dell\u2019Opera di Roma, Teatro Regio di Torino, Teatro La Fenice in Venice, Teatro Comunale di Bologna and Fondazione Arena di Verona.<\/p>\n

From 2016 to 2024, he served as Principal Guest Conductor of I Pomeriggi Musicali, one of Italy\u2019s oldest orchestras, based in Milan.<\/p>\n<\/div><\/div><\/div>

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He gained widespread recognition in 2015 through his appearances at the Maggio Musicale Fiorentino and his highly acclaimed interpretation of Rossini\u2019s Stabat Mater<\/em> at the Teatro Petruzzelli which prompted La Gazzetta del Mezzogiorno<\/em> to write, \u201cWith Cadario, Rossini is Great.\u201d<\/p>\n

2015 also marked his debut at La Scala in Milan, where he conducted the Sinf\u00f3nica Juvenil de Caracas. The following year, he made his debut in China with the City Chamber Orchestra of Hong Kong, conducting Mozart\u2019s Great Mass in C minor, K. 427<\/em>.<\/p>\n

In 2017, he conducted the Christmas Concert from the Aula of the Italian Senate, broadcast live by RAI. The following season, he made his debuts at the Mariinsky Theatre and at the Teatro Regio di Torino, where he conducted Verdi\u2019s Quattro pezzi sacri<\/em>, establishing himself as a particularly sensitive interpreter of the symphonic-choral repertoire.<\/p>\n<\/div><\/div><\/div>

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In 2019, he conducted\u00a0Rossini\u2019s La Cenerentola <\/em>and Tchaikovsky\u2019s The Nutcracker<\/em> at the Teatro Massimo di Palermo. He also conducted Cimarosa\u2019s Missa pro defunctis<\/em>as part of the season of the Fondazione Arena di Verona.<\/p>\n

The 2020\u201321 season marked his debut at the Rossini Opera Festival with Il viaggio a Reims<\/em>, as well as a return to the Teatro Carlo Felice, where he conducted Donizetti\u2019s L\u2019elisir d\u2019amore<\/em> and a new production of Bernstein\u2019s Trouble in Tahiti \/ <\/em>Pergolesi\u2019s La serva padrona<\/em>.<\/p>\n

In the 2021\u201322 season, he conducted Mozart\u2019s Don Giovanni <\/em>at Teatro del Giglio di Lucca, he was invited to the Royal Opera House Muscat and the Festival della Valle d\u2019Itria, where he conducted the world premiere of Campogrande\u2019s Opera Italiana<\/em>. He also returned to the Teatro Regio di Torino and the Teatro Massimo di Palermo, conducting the world premiere of Tutino\u2019s L\u2019eredit\u00e0 dei giusti.<\/em><\/p>\n<\/div>

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IIIN In the 2022\u201323 season, he returned to the Teatro Filarmonico, conducting the Orchestra of the Arena di Verona, and made his debut at the Teatro dell\u2019Opera di Roma as part of the Caracalla Festival, conducting Prokofiev\u2019s Cinderella<\/em>. \u00a0In 2024, he returned to the Tatarstan National Symphony Orchestra, the Montenegrin Symphony Orchestra, the Teatro Carlo Felice, and the Krak\u00f3w Philharmonic Orchestra, where he conducted Handel\u2019s Messiah<\/em>.<\/p>\n

He also appeared at the 88th Maggio Musicale Fiorentino Festival, conducting the world premiere of Vacchi\u2019s Jeanne Dark<\/em>. His engagements that year included performances at the Rossini Opera Festival and the MITO SettembreMusica Festival, as well as returns to the Teatro Petruzzelli, Teatro Massimo di Palermo, and the Royal Opera House Muscat. He also made his debuts at Teatro Massimo Bellini in Catania and at the Op\u00e9ra Royal de Wallonie-Li\u00e8ge.<\/p>\n

In the 2025\u201326 season, he made his debuts with the Zagreb Philharmonic Orchestra and the Orchestra of the Accademia del Teatro alla Scala, and returned to the Teatro dell\u2019Opera di Roma to conduct Strauss\u2019s Die Fledermaus<\/em>.<\/p>\n<\/div><\/div><\/div>

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He conducted the Orchestra della Svizzera Italiana, a new production of Mozart’s Don Giovanni<\/span><\/em> at the Caracalla Festival, <\/span>La Traviata<\/span><\/em> at the Teatro Coccia in Novara, and Puccini’s <\/span>Le Villi<\/span><\/em> at the Fondazione Arena di Verona<\/span>. He also debuted at the Op\u00e9ra de Marseille with The Barber of Seville<\/span><\/em>, in the season of the Orchestra Sinfonica Siciliana, \u00a0in the circuit of Emilia Romagna Theatres with a new production of Rossini’s L’Italiana in Algeri <\/span><\/em>and<\/span> in the symphonic season of Teatro Lirico di Cagliari.<\/span><\/div>\n
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His forthcoming engagements include conducting Beethoven\u2019s Ninth Symphony with the ensembles of the Istanbul Opera, as well as performances in the opera seasons of the Teatro dell\u2019Opera di Roma and the Op\u00e9ra Royal de Li\u00e8ge. He will also conduct a new production of Aida<\/em> at the Teatro Verdi di Pisa, return to the Teatro Verdi di Trieste, and take the podium of the Orchestra Sinfonica di Milano for Rossini\u2019s Petite Messe Solennelle<\/em>.<\/span><\/div>\n

He graduated in Orchestra Conducting at Conservatorio G. Verdi in Milan and at Accademia Musicale Chigiana in Siena, where he received two First Class Honors, with Distinction. He also completed diplomas in Violin, in Choral Conducting and in Composition.<\/p>\n

He is passionate about astrophysics and quantum physics.<\/p>\n

PLEASE DO NOT ALTER WITHOUT CONSENT<\/i><\/p>\n<\/div><\/div><\/div>

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