He gained public recognition in 2015 by conducting Henze’s “Pollicino” at Maggio Musicale Fiorentino, and for the highly acclaimed interpretation of Rossini’s Stabat Mater (“With Cadario, Rossini is Great” La Gazzetta del Mezzogiorno).

In 2015 he also debuted at Teatro alla Scala di Milano, during the Festival delle orchestre internazionali.

In 2016 Alessandro Cadario also conducted his Asian orchestra debut with the City Chamber Orchestra of Hong Kong in Mozart’s “Great Mass in C minor K.427” and he was invited at the International Festival MITO SettembreMusica and at Venice’s Biennale Musica, conducting the world première of two operas.

For the 2016-17 season Cadario returned to Società del Quartetto di Milano, conducting Tchaikovsky’s “5th symphony” and to Teatro Massimo di Palermo.

Alessandro Cadario has always shared his work with some of the most prestigious projects for youth musicians, like El Sistema, endorsed in Italy by M° Claudio Abbado, and the National Symphonic Orchestra dei Conservatori italiani, promoted by the Italian Ministry of Education, University and Research.

Along with the classic repertoire, Alessandro Cadario is interested in Contemporary Music, which he interprets brilliantly, with great commitment, being both a conductor and a composer. His works have been premièred at New York’s Lincoln Center, Staatstheater Darmstadt and Taipei National Concert Hall, to name a few.

He conducted many world premieres of composers like Ivan Fedele, Carlo Galante and Marco Tutino.
Among his 2020/2021 engagements are the debut at the Rossini Opera Festival conducting Il Viaggio a Reims and at the Maggio Musicale Festival conducting the world première of the opera Jeanne Dark by Fabio Vacchi.

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